Mind to Tracker

Mick Rippon


Everyday we have to express ourselves, through what we say, what we write, our facial gestures, even the way we dress. Everything we do contributes to the overall conception of expression. It's an unavoidable fact that the tracker interface is nothing but a pretentious musician feeding off a schedule of samples - far from the true definition of expression.

The immediate problem a tracker faces is the conversion of true expression to a mathematical medium such as a tracker. It seems to be a regular occurrence that missing expression is subconsciously replaced by the composer. This results in a vicious trend which begins when the composer doesn't receive a positive response in their work - this spawns a compensation often with the result of producing music that is too complex.

Tracker musicians fall into a fatal mistake of assuming that the listener will understand the music with equal capacity. The average tracker musician fails to give attention to the communative side of music, that is, conveying the elements of the music which should be the emotional focal point. Communication is the best attribute to have, especially if you want to be consistent. If you have the gift of musical communication, you can turn the mediocre into the great.

So how does one develop the ability to communicate their musical ideas? Most of it, I'm afraid to say, is talent. People who are gifted musically are born with the fundamentals of pitch, rhythm, and an intangible knowledge of the intrinsics that create appealing music. People with a prerequisite spiritual understanding of music only have the intellectual void to fill.

Of course, talent and the ability to use one's talents are two distinguishable things. It's my personal view that any literary material based on tracking should be written with the perceptive musician in mind, and not the novice. If you don't have the ability to pick up the basics yourself up to a level where you think about more than just the music and sound, then reconsider uploading anything in the future until you learn. With any talent, you should be up to this level in no time. If you're not, then re-consider your strategy.

mick rippon

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