$y,._ d$$b              ,y@$$$$$b _.,y$
                            $$$$' `""`             d$$$  `""` `$$$$
  ,y@@@y,   yyyy yyyy,  y@@@$$$$ _.,y$   ,y@@@y,   $$$$yyyy@$  $$$$   ,y@@@y,
 d$$$ $$$b  $$$$ $$$$  d$$$ $$$$ `$$$$  d$$$ $$$b  $$$$  $$$$  $$$$  d$$$ $$$b
  ,y@@$$$$  $$$$ $$$$  $$$$ $$$$  $$$$  $$$$ $$$$  $$$$  $$$$  $$$$  $$$$ $$$l
 d$$$ $$$$  $$$$ $$$$  $$$$ $$$$  $$$$  $$$$ $$$$  $$$$  $$$$  $$$$  $$$$y$$P'
 $$$$ $$$$  $$$$ $$$$  $$$$ $$$$  $$$$  $$$$ $$$$  $$$$  $$$$  $$$$  $$$$ yyyy
 l$$$ $$$$  l$$$ $$$$  l$$$ $$$$  l$$$  l$$$ $$$l  $$$l  l$$$  l$$$  l$$$ $$$l
 `S$$y$$$$y,`S$$y$$$$y,`S$$y$$$$y,`S$$y,`S$$y$$P',y$$S'  `S$$y,`S$$y,`S$$y$$P'
                                 ISSUE 1                           sq2/ice

Table of Contents

Introduction to Audiofile Basehead
Tracking...is it commercially viable? Siren
Chord forms, Theory, and the devil Aahz
Sample synthesis via sinewave modulation and Goldwave The Hacker
Percussion in Tracked Music GraveDigger
Dynamic Tracking Psibelius
Mind to Tracker Mick Rippon
Tracking: Non-'Musical' Music LakEEE
Basic Drums and Percussion Leviathan
An Outlook on Tracking Future Assassin
The Process - Part I Necros
Outro
Conversion to HTML by Airon of Phase Distortion
aronchce@sp.zrz.tu-berlin.de